horror movie site Shudder resuscitates the horror of TV shows | Horror films

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AScheduled movie channels have given way to streaming platforms in the home entertainment eyeball war, what have we lost and what have we gained? The choice has definitely improved, as has our ability to watch a half-decent movie without paying outrageous satellite fees. But as Netflix and Amazon have taken their place at the center of the in-room viewing experience, we’ve sacrificed the personal touch of scheduled programming – and the dizzying sense of spontaneity that comes with turning on the TV at 3 a.m. morning and catch the bottle scene. of Pan’s Labyrinth. Not the scariest movie ever made, but out of context: hello.

Hoping to bring both qualities to streaming is Shudder, a new horror platform from the US network AMC, launched in the UK earlier this month. With a well-defined mandate that more or less excludes any movie without the word “blood” in the title, Shudder has already built a solid following in the United States by ensuring users a streaming experience entirely devoid of Adam’s movies. Sandler. With around 200 titles, the UK service is only half the size of its US cousin, but still offers a stimulating alternative to the mishmash catalogs of major streaming sites.

The platform’s most curious innovation is Shudder.TV, a (free!) Live broadcast featuring titles from its catalog 24/7. This deceptively simple idea creates a radically user experience. different, bringing to streaming the forgotten pleasure of decontextualized viewing, perhaps the most powerful mechanism horror cinema has ever had to sink into your subconscious. Just as so many children of the 20th century have had their minds corrupted by unknown terrors seen on late night television, perhaps some of today’s youth can see their childhoods ruined through the window. elliptical that Shudder.TV offers to the horrors of its catalog.

I logged into Shudder.TV myself to find a little girl standing by the side of a canal, inviting a severely mutilated man to join her for tea and cake through the conduit of a ventriloquist-headed dummy. smashed. There are few words to describe how baffling this scenario seemed, stripped of its surrounding narrative and, most importantly, the ability to take a break. Fifteen minutes later, curiosity having taken hold, I discovered that the film was the 1955 adaptation of The Quatermass Xperiment. Not the scariest movie ever made, but out of context: hello.


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