The Movie Show: Ex Machina, one of the most violent years and The Gambler



Entertainment editor Aoife Kelly and Irish independent film guru Paul Whitington discuss this week’s three new releases – Alex Garland’s Ex Machina, JC Chandor’s A Most Violent Year and Mark Wahlberg’s latest offering, The Gambler .

omhnall Gleeson seems to be everywhere right now with Angelina Jolie’s Unbroken, Alex Garland’s Ex Machina and a stint in The Walworth Farce at Olympia, but we still can’t get enough of him.

He’s fantastic at Ex Machina as tech nerd Caleb who works for a search engine company and wins a competition to spend a week with the lonely founder of the company in his isolated rural home.

Worse price than ever, Paul suggests, although Caleb is quite happy, especially when introduced to Ava, his boss’s AI project, and tasked with determining whether or not she has consciousness and the ability to feel. emotions.

However, Ava soon warns Caleb that all is not well. Ex Machina is a very intelligent film with three superb performances from Gleeson, Oscar Isaac as the eccentric billionaire and Alicia Vikander as Ava.

Isaac also stars in A Most Violent Year. He’s made comparisons to Al Pacino as Corleone, but Paul points out that this is the anti-mob film as the immigrant character of Isaac tries to set up his 1981 New York fuel company without being embroiled in corruption, which turns out to be quite a difficult endeavor.

Jessica Chastain has been nominated for countless awards as a brash, crowd-connected woman, but Paul wonders why the film was overlooked by the Academy for the Oscars.

The title might suggest it’s packed with action and violence, which it isn’t. It is an intense slow-burning movie with more excellent performance at all levels. Highly recommended.

Perhaps not so highly recommended is The Gambler, which stars Mark Wahlberg as the son of very wealthy parents who is a college professor by day (the addition of specs doesn’t make Wahlberg any more convincing here) and a compulsive gambler. the night.

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He’s a bland, emotionless, and intelligent character who’s impossible to relate to on any level. The only salvation is John Goodman in a small role, and an excellent soundtrack. Wahlberg fans may be able to ignore the script that thinks he’s smarter than he is, but none of today’s critics could.

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